Gordon Crook: Banners and Wall Hangings
DOI:
https://doi.org/10.26686/jnzs.iNS38.9587Abstract
Gordon Crook was a British textile artist who came to live in Wellington in 1972, aged 51. Through contacts at the Dowse Art Museum and the Ministry of Foreign Affairs and Trade, Crook was commissioned by the architect Miles Warren to make banners for the New Zealand Chancery in Washington D.C. (1979–80), followed by banners and wall hangings for the Michael Fowler Centre in Wellington (1981–83). Crook’s work was suigeneric, idiosyncratic in its imagery and development, a world feeding on itself. Outside any national or current artworld style, Crook extended and enriched New Zealand’s public visual art scene.[i]
[i] See my three articles on the work of Gordon Crook: “Gordon Crook: tapestries,” Tuhinga 31 (2020): 70–90; “Gordon Crook: The Pastel Triptychs,” Tuhinga 32 (2021): 120–34; and “Gordon Crook and the Wolf-Man,” Tuhinga 33 (2022): 1–29.
Downloads
Downloads
Published
Issue
Section
License
Authors who publish with this journal agree to the following terms:
The Journal of New Zealand Studies retains the copyright of material published in the journal, but permission to reproduce articles free of charge on other open access sites will not normally be withheld. Any such reproduction must be accompanied by an acknowledgement of initial publication in the Journal of New Zealand Studies.