A Neglected Design Style: Colonial Era Hybrid Architecture, Furniture and Interior Decoration in Aotearoa New Zealand

Abstract

Colonial hybrid design has been a neglected style in Aotearoa New Zealand’s and design history. However, an overview of the corpus, its quantity and plurality, with both Māori and Pākehā makers working into the early twentieth century, indicates that a reappraisal is required. The case study of one Pākehā maker, J.H. Menzies, shows a combination of respect and ignorance of toi Māori (Māori art).[i] Despite the negative connotations of cultural appropriation, a kernel of genuine creative exchange is at the heart of this colonial phenomenon, as exemplified in his work.  

[i] I use this term generically to include all forms of art customarily practised by Māori, including (but not limited to) hoahoanga (architecture), toi whakairo (the art of carving) and kōwhaiwahi (painted patterns).