Frances Hodgkins goes to Market
DOI:
https://doi.org/10.26686/jnzs.v0iNS27.5177Abstract
The marketplace is a recurring subject in the work of artist Frances Hodgkins (1869–1947). Her handling of it over the years, and in different contexts, shows how she developed as a professional artist and with what trends she linked herself. The market can be seen in the work of British artists (e.g., Charles Worsley) of whom she will have been aware before she left her home country, as well as in the work of French ones (e.g., Camille Pissarro) whom she will have discovered once she went to Europe. A study of her use of this motif is essential to locating her as a New Zealand artist who became a European artist.
Downloads
Download data is not yet available.
Downloads
Published
2018-12-05
Issue
Section
Articles
License
Authors who publish with this journal agree to the following terms:
The Journal of New Zealand Studies retains the copyright of material published in the journal, but permission to reproduce articles free of charge on other open access sites will not normally be withheld. Any such reproduction must be accompanied by an acknowledgement of initial publication in the Journal of New Zealand Studies.