Investigating Society: The Cases of Pepe Carvalho and Tito Ihaka

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DOI:

https://doi.org/10.26686/jnzs.v0i11.502

Abstract

This article seeks to draw some parallels between two crime novels: Murder in the Central Committee (1981) by Spanish author Manuel Vázquez Montalbán and Old School Tie (a ka Dirty Laundry, 1994) by New Zealand author Paul Thomas. Despite their different background and the epochs in which they write, we will argue that these writers share some important features. First of all, they are both influenced by the hardboiled genre and therefore, they give accounts of modern, cosmopolitan societies (mainly Barcelona and Auckland), and both exploit political incorrectness. Second, their detectives have contempt for authority, speak their minds, are equally at ease amongst the bourgeoisie or the working class, and know their city extremely well. Finally, and most importantly, both series reflect a renegotiation of national identity in a multicultural context. In the case of Vázquez Montalbán, the focus is on the dialectic between national and regional, present and past, while with Thomas’s series the focus is on Māori and Pākehā. However, both writers defy mainstream interpretations of these dialectics as seen in crime fiction so far. They give a different perspective, going beyond simplistic contrapositions or polarizations. In so doing, they demand that readers go beyond stereotypes and analyze the question of cultural identity in all its complexity.

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Author Biographies

Carolina Miranda, Victoria University of Wellington

Caro Miranda lectures at Victoria University of Wellington. Her research interests include translation and twentieth-century Latin American literature. She has written about Roberto Arlt’s theatre and narrative work and also on Argentine, Spanish and New Zealand crime fiction. She is currently revising a monograph, Roberto Arlt: Reading and Writing within the Argentine Tradition, for publication with Edwin Mellen Press. Together with Jean Anderson and Barbara Pezzotti, she is editing The Foreigner in International Crime Writing: Transcultural Representations (Continuum, forthcoming 2012), which explores the familiar topic of the foreign in popular crime fiction of twentieth and twenty-first century crime writing from Norway, the UK, India, China, Europe, the Pacific and Australasia. This book examines these popular works as ‘transcultural contact zones’ in which writers can tackle such issues as national identity, immigration, globalization and diaspora communities.

Barbara Pezzotti, Victoria University of Wellington

Barbara Pezzotti teaches Italian language and culture at Victoria University. She has published several articles and book chapters on Italian crime fiction and the figure of the serial killer in Italian and New Zealand crime fiction. Her book A Bloody Journey: The Importance of Place in Italian Contemporary Crime Series is soon to be published by Fairleigh Dickinson University Press. She is also the co-editor (with Jean Anderson and Carolina Miranda) of The Foreign in International Crime Writing: Transcultural Representations (forthcoming, Continuum).

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Published

2011-01-01