Shared Visions: Katherine Mansfield and James Nairn in New Zealand Landscape
DOI:
https://doi.org/10.26686/jnzs.iNS41.11043Abstract
This article explores the shared visions of the New Zealand-born short-story writer Katherine Mansfield and the Scottish-born painter James Nairn, and their portrayal of the New Zealand landscape, notably Wellington and its harbour. Examining selected stories by Mansfield and paintings by Nairn, the article demonstrates their commitment to capturing the essence of their environment and their local surroundings. In particular, it examines their mutual sensitivity to light and atmosphere at a specific historical moment: the turn of the nineteenth and twentieth centuries. A further link between them is the likelihood of Nairn having inspired the artist-narrator in Mansfield’s short story “Daphne” (1921). The article highlights how their unique but complementary approaches have enriched our understanding of aspects of New Zealand’s cultural and artistic heritage.
Downloads
Downloads
Published
Issue
Section
License
Authors who publish with this journal agree to the following terms:
The Journal of New Zealand Studies retains the copyright of material published in the journal, but permission to reproduce articles free of charge on other open access sites will not normally be withheld. Any such reproduction must be accompanied by an acknowledgement of initial publication in the Journal of New Zealand Studies.
